Frequently Asked Questions
What kind of sculpture do you create?
I create contemporary sculpture for private gardens, homes, public spaces, businesses and collectors. My work is rooted in nature, movement and emotional connection, with a strong emphasis on craftsmanship, material quality and timeless design.
What defines your work today?
The work today combines contemporary design, traditional craftsmanship and a strong connection to the natural world. Whether created for a private garden, luxury property, business, public space or collection, each sculpture is intended to bring a sense of presence, refinement and lasting emotional value.What materials do you work with?
My primary material is stainless steel, chosen for its strength, durability and refined contemporary finish. I also work with stone, bronze, corten steel and other materials where they best suit the setting, concept or architectural context.
Where is your studio based?
The studio is based at Hall Farm Gardens in Lincolnshire, in the East Midlands. This is where larger commissions, bespoke sculpture and smaller collectable works are designed and made.
What inspires your work?
The work is inspired by natural forms, wildlife, landscape, memory and human connection. Whether abstract or figurative, each piece is designed to bring a sense of stillness, presence and quiet impact to its setting.
Visiting and Buying
Can I visit your studio?
Yes. Studio visits are welcome by appointment. Visiting the studio is a good way to see available work, discuss a commission, look at materials and understand the scale and finish of different sculptures.
Do you have work available to buy?
Yes. Alongside commissioned work, I also create smaller handmade pieces and exhibition works. Available sculptures can be viewed through the website or by arranging a studio visit.
Can I buy directly from the artist?
Yes. Work can be purchased directly from me, either from my website, studio visits or through arranging a bespoke commission. Buying directly also gives you the opportunity to discuss placement, scale, installation and care.
How much does a sculpture cost?
The cost depends on size, materials, design complexity, fabrication time, finish, delivery, installation and any additional requirements such as plaques, engraving, design work or community engagement.
Because each commission is different, I usually provide a written quotation once I understand the scale, setting and expectations for the piece.
Do you require a deposit?
Yes. Commissioned work requires a deposit to secure the project, book studio time and cover the initial design and material costs. The remaining balance is usually due at agreed stages or on completion before delivery or installation.
Is VAT added?
Where applicable, VAT will be added to quotations and invoices. This will be clearly shown on the quotation so that the full cost is transparent from the outset.
Commissions
Do you create bespoke commissions?
Yes. Much of my work is created to commission. I work with private clients, public bodies, schools, charities, architects, landscape designers and businesses to create sculpture for specific places, stories or communities.
A commission may begin with a simple idea, a theme, a location, a memory, a material preference or an existing piece of my work that you would like to develop further.
How do I start a sculpture commission?
The best first step is to get in touch with a brief description of what you are looking for.
Please include the site, approximate size, budget, timescale, preferred materials and any themes or ideas you would like the sculpture to reflect. Photographs, plans, measurements and reference images are also helpful.
From there, we can discuss what is possible and begin shaping a proposal for a unique piece of sculpture made specifically for your space.What type of clients do you work with?
I work with a wide range of clients, from private homeowners and garden owners to architects, designers, developers, councils, charities and organisations seeking distinctive, site-specific artwork.
Many commissions are created for clients looking for a unique statement piece that brings individuality, meaning and lasting value to a home, garden, business or public space.
Can a sculpture be designed for a specific property or garden?
Yes. Many pieces are designed in response to a particular site. The scale, material, finish and form are all considered in relation to the surrounding architecture, planting, light, viewpoints and atmosphere of the space.
The aim is to create a sculpture that feels naturally placed, while still offering a strong focal point and sense of individuality.
Do you provide installation?
Installation can be arranged or advised on depending on the size and nature of the sculpture. Larger pieces may require groundwork, lifting equipment, specialist fixings or coordination with landscapers, builders or contractors.
How much does a commissioned sculpture cost?
Costs vary depending on size, materials, complexity, finish, design time, delivery and installation requirements. Bespoke work is individually quoted once the brief, location and scale are understood.
For high-end commissions, the aim is to create a lasting piece of original artwork that is carefully designed, made and finished for its specific setting.
How long does a commission take?
Timescales vary depending on the scale and complexity of the work. A small piece may be completed more quickly, while larger public art or bespoke commissions may take several months or even years from initial discussion to installation.
A realistic timescale will be provided once the brief is clear.
Do you work with interior designers, architects and landscape designers?
Yes. I welcome collaboration with design professionals. Sculpture can be developed as part of a wider interior, architectural or landscape scheme, with consideration given to scale, materials, placement, sightlines and the overall design language of the project.
Do you create public art?
Yes. I have created public artworks for councils, schools, charities, businesses and community spaces. These projects often include consultation, design development, community engagement, fabrication, installation and long-term maintenance considerations.
Can community engagement be included in a public art project?
Yes. For public and community commissions, workshops and consultation can form part of the creative process. Drawings, words, stories or imagery generated by local people can be translated into the final artwork through etched, engraved or symbolic details.
How does the commission process work?
The process usually begins with a conversation about the site, purpose, budget, timescale and any initial ideas. From there, I can develop a proposal, visual references, sketches or design concepts.
For larger projects, the process may also include site visits, design revisions, structural considerations, fabrication planning and installation guidance.
Can existing designs be adapted?
Yes. Existing designs can often be developed in a different size, finish or configuration. However, each piece is treated individually, with adjustments made to ensure the proportions, structure and visual balance work properly at the required scale.
Are your sculptures suitable for outdoor spaces?
Yes. Much of my work is created specifically for outdoor display. Stainless steel and corten steel are particularly suited to gardens, courtyards, entrances, public spaces and architectural landscapes.
Each sculpture is designed with its setting in mind, including weather exposure, fixing requirements, access and long-term durability.
Can wording, names or imagery be added to a sculpture?
Yes. Text, names, dates, drawings, symbols or community-generated imagery can often be incorporated through engraving, etching, plaques or cut details.
This can be especially effective for memorial pieces, school projects, community artworks, public commissions and charity-related sculptures.
How do I enquire about a commission?
You can get in touch with details of the site, approximate size, budget, timescale and any ideas or themes you would like to explore. Photographs, plans or reference images are also helpful when beginning the design process.
Will my sculpture change over time outside?
This depends on the material and finish. Stainless steel is chosen for its durability and reflective quality, but it will still respond to its environment so it’s important to clean when needed. Outdoor surfaces may collect rain marks, dust, pollen or general weathering, especially in exposed, coastal or heavily planted settings.
Corten steel, sometimes called weathering steel, is deliberately designed to develop a rust-coloured surface patina. This gives it a warm, natural quality and allows the piece to sit comfortably within gardens, landscapes and architectural settings.
What is your background?
I studied Fine Art and Contemporary Crafts at Lincoln University, where I developed a strong interest in materials, making and sculptural form. My early work focused on stone carving before the practice evolved into larger-scale metal sculpture and public art.
Over more than 20 years, the work has developed across stone, bronze and metal, with stainless steel now forming a central part of the practice.
Who have you worked with?
Previous projects and collaborations include work with councils, charities, schools, businesses and organisations including Tesco, the BBC, RAF Waddington, DIY SOS, ICArt, Transported, ArtsNK, Ashgate Hospice, St John’s Hospice, Roundabout Homeless Charity, Central Bedfordshire Council, Leighton Buzzard, Saxilby Parish Council, Boston Woods Trust and others.
Do you support charity and community projects?
Yes. Charity and community work has formed an important part of the studio’s history. Through sculpture projects and collaborations, the practice has helped raise more than £250,000 for good causes.
Materials and Finishes
What materials do you work in?
I work primarily in stainless steel, but also use materials such as corten steel, stone, bronze, aluminium, wood and cast materials where appropriate. The choice of material depends on the design, setting, budget, structural requirements and the effect the client wants to achieve.
Why do you use stainless steel?
Stainless steel has a clean, contemporary quality while also being extremely durable. I use it for its strength, reflective surface and ability to capture light, movement and changing surroundings. Stainless beautifully reflects the changing seasons, sunlight, and surrounding foliage. This gives the artwork a dynamic quality, as it visually blends with and enhances its environment.
What is corten steel?
Corten steel is a weathering steel that develops a stable rust-coloured surface over time. It is often used for plinths, bases and architectural sculpture because it has a warm, earthy appearance that contrasts well with polished or satin stainless steel.
It can work particularly well in gardens, heritage settings and public spaces where a more natural or industrial character is appropriate.
Delivery and Installation
Can sculptures be delivered?
Yes. National and International delivery can be arranged depending on the size, weight and destination of the sculpture. Smaller pieces may be transported simply, while larger works may require specialist handling, crating, lifting equipment or delivery to site.
Delivery costs are usually quoted separately once the size, weight and destination are known.
I am also happy to provide size and weight etc if you would prefer to organise your own shipping.
Do sculptures need foundations?
Some do, especially larger outdoor or public pieces. The foundation depends on the size, weight, wind exposure, ground conditions and whether the sculpture will be in a private or public setting.
Where foundations are required, this will be discussed during the design and quotation stage.
Can a sculpture be installed in sections?
Yes. Some larger works can be designed, transported and installed in sections. This can make handling, transport and installation more practical, especially where access is limited or where the artwork is made up of repeated elements.
Public Art and Community Projects
Do you work on public art commissions?
Yes. I have experience creating sculpture for public spaces and community settings. These projects often involve a more detailed process, including design proposals, consultation, risk assessment, fabrication planning, installation and maintenance considerations.
Can you include community engagement?
Yes. I often enjoy incorporating community input into public artworks. This might involve creative workshops, drawing sessions, written responses, local stories, historical references or imagery generated by participants.
These contributions can then inform the design or be incorporated into the surface of the sculpture through engraving, etching or other details.
Can you work with schools, charities and community groups?
Yes. I have experience working with a range of groups, including schools, charities, community organisations and public bodies. Projects can be tailored to suit the age, ability and needs of the participants.
Maintenance and Care
How do I clean stainless steel sculpture?
For general care, stainless steel can usually be cleaned with warm water, a soft cloth and mild detergent. Avoid abrasive pads, harsh chemicals or anything that may scratch the surface.
Outdoor pieces may benefit from occasional cleaning to remove dust, bird droppings, pollen, rain marks or residue from nearby planting.
Does corten steel need maintenance?
Corten steel is designed to weather naturally. Its rust-coloured surface is part of the material’s character. However, it can leave staining on pale paving or stone, particularly during the early weathering stage, so its placement should be considered carefully.
Will I receive maintenance advice?
Yes. Where appropriate, maintenance guidance can be provided with the sculpture, especially for larger commissions, public artworks or pieces installed in exposed locations.
Are your sculptures suitable for coastal areas?
Stainless steel can be used in coastal environments, but the grade, finish and maintenance requirements need to be considered carefully. Salt in the air can be more aggressive than normal inland conditions. I predominantly work in grade 316 stainless as this is the most appropriate material grade for even harsh locations.
How do I start a commission?
The best first step is to get in touch with a brief description of what you are looking for. Useful details include the site, approximate size, budget, timescale, preferred materials and any themes or ideas you would like the sculpture to reflect.
You can also include photographs of the location, measurements and any reference images that help explain the kind of piece you have in mind.
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